Regularity (Bregman, 1993) | Constraint (Unoki and Akagi, | 1999) |
(i) Unrelated sounds seldom start or stop at exactly | Synchronism of onset/offset | |
the same time ( common onset/offset) | ||
(ii) Gradualness of change | (a) Slowness (piecewise- | dAk(t)/dt=Ck,R(t) |
(a) A single sound tends to smoothly and slowly | differentiable polynomial | |
change its properties | approximation) | dF0(t)/dt=E0,R(t) |
(b) A sequence of sounds from the same source | (b) Smoothness | |
tends to slowly change its properties | (Spline interpolation) | |
(new) | ||
(iii) When a body vibrates with a repetitive period, | Multiples of the repetitive | |
these vibrations give rise to an acoustic pattern | fundamental frequency | |
in which the frequency components are multiples | ||
of a common fundamental ( harmonicity) | ||
(iv) Many changes that take place in an acoustic | (a) Slow modulation | |
event will affect all components of the result- | Correlation between the | , |
ing sound in the same way and at the | instantaneous amplitudes | |
same time | (b) Fast modulation | |
Channel envelopes with | (new) | |
periodicity at the F0(t) |
In this paper, the desired signal f1(t) is assumed to be a harmonic complex tone, where F0(t) is the fundamental frequency. The proposed model segregates the desired signal from the mixed signal by constraining the temporal differentiation of Ak(t), , and F0(t).
The proposed model is composed of four blocks: an auditory-motivated filterbank, an F0 estimation block, a separation block, and a grouping block, as shown in Fig. 1. Constraints used in this model are shown in Table 1.